MIT Media Lab?s Kino is Robotic ?Living? Jewelry
Intelligent jewelry by design - moving across clothing, adjusting in reaction to climate, and invisibly monitoring the human body.
Robotics will inevitably manifest prominently in our lives in the form of automation, domestic companionship, and of course, artificial intelligence. These are the big ideas of robotics. But the MIT Media Lab ? in collaboration with MIT Mechanical Engineering, Royal College of Art, and Stanford University’s Department of Mechanical Engineering ? is exploring robotics from a different angle ? one much smaller, and fashionable as well as functional. Kino is an intriguing speculative project imagining micro-robotics as a means of changing an outfit on a whim wearing ‘living jewelry’.
Spearheaded by MIT Media Lab’s Cindy Hsin-Liu Kao, the Kino team set out to explore numerous paths using miniaturized robotic components and integrating them into clothing. For example, a pair of kinetic brooches can move on command or programmed intervals to change the pattern of an outfit, liberating traditionally static jewelry into an instantly reconfigurable experience. A shape-changing necklace converts into a brooch.
We envision that in the future, these robots will be miniaturized to the extent that they can be seamlessly integrated into existing practices of body ornamentation.
Other designs pursue a hybrid approach, with reactive and learning functions that change according to the environment without input from the weare...
Robotics will inevitably manifest prominently in our lives in the form of automation, domestic companionship, and of course, artificial intelligence. These are the big ideas of robotics. But the MIT Media Lab ? in collaboration with MIT Mechanical Engineering, Royal College of Art, and Stanford University’s Department of Mechanical Engineering ? is exploring robotics from a different angle ? one much smaller, and fashionable as well as functional. Kino is an intriguing speculative project imagining micro-robotics as a means of changing an outfit on a whim wearing ‘living jewelry’.
Spearheaded by MIT Media Lab’s Cindy Hsin-Liu Kao, the Kino team set out to explore numerous paths using miniaturized robotic components and integrating them into clothing. For example, a pair of kinetic brooches can move on command or programmed intervals to change the pattern of an outfit, liberating traditionally static jewelry into an instantly reconfigurable experience. A shape-changing necklace converts into a brooch.
We envision that in the future, these robots will be miniaturized to the extent that they can be seamlessly integrated into existing practices of body ornamentation.
Other designs pursue a hybrid approach, with reactive and learning functions that change according to the environment without input from the weare...
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