DMTV Milkshake: The Thrills and Pressures of Designing Some of the World?s Most Exclusive Addresses
Tune in to this DMTV Milkshake to hear how seasoned architect Lauren Rottet handles the stress that comes with her high profile projects.
Lauren Rottet?s portfolio looks like something out of Succession: jaw-dropping interiors with spectacular Manhattan skylines, fit for modern-day royalty. As the founding principal of Rottet Studio, she?s led the design of more than 40 luxury hotels and some of the world?s most exclusive addresses, including 200 E. 83rd Street in New York. If anything, Succession?s interiors look a little downmarket compared to Rottet?s spectacular spaces ? sets, perhaps, in a way that corresponds with her view of the essential nature of her job: ???I like to think like I’ve been hired as a film set designer,? she says. ?Whether my film is staged in the most exquisite pied-Ã -terre in all of Paris or whether my film is stationed in a beautiful little cottage on a remote island ? it’s my job to do the exquisite pied-Ã -terre or to do the warm, wonderful little cottage. Whether the budget is low or whether the budget is high, I see my job as equally as important.? ??"?""""""""""""""""
In this week?s Milkshake, Lauren chats with us from her home in Houston, sharing her many influences and how she confronts the pressures of working with global talents. We asked her if the pressure goes up along with the budget. ?The stress is always on,? she says. ?There i...
Lauren Rottet?s portfolio looks like something out of Succession: jaw-dropping interiors with spectacular Manhattan skylines, fit for modern-day royalty. As the founding principal of Rottet Studio, she?s led the design of more than 40 luxury hotels and some of the world?s most exclusive addresses, including 200 E. 83rd Street in New York. If anything, Succession?s interiors look a little downmarket compared to Rottet?s spectacular spaces ? sets, perhaps, in a way that corresponds with her view of the essential nature of her job: ???I like to think like I’ve been hired as a film set designer,? she says. ?Whether my film is staged in the most exquisite pied-Ã -terre in all of Paris or whether my film is stationed in a beautiful little cottage on a remote island ? it’s my job to do the exquisite pied-Ã -terre or to do the warm, wonderful little cottage. Whether the budget is low or whether the budget is high, I see my job as equally as important.? ??"?""""""""""""""""
In this week?s Milkshake, Lauren chats with us from her home in Houston, sharing her many influences and how she confronts the pressures of working with global talents. We asked her if the pressure goes up along with the budget. ?The stress is always on,? she says. ?There i...
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