Good Company Podcast #3: Loveis Wise
I can’t tell you how excited I am to be back talking to some of our favorite artists and designers for the brand new (weekly!) Good Company podcast. It makes me so happy to pick apart all of those messy, fascinating places where creativity and business combine. Every week we talk openly and honestly about […]
I can’t tell you how excited I am to be back talking to some of our favorite artists and designers for the brand new (weekly!) Good Company podcast. It makes me so happy to pick apart all of those messy, fascinating places where creativity and business combine. Every week we talk openly and honestly about what it’s really like to run a creative business, and this week I’m talking about the importance of self-care, representation and overcoming impostor syndrome with Loveis Wise. Loveis Wise is an illustrator and designer based in Philadelphia who has worked with clients like The NY Times, BuzzFeed, Cartoon Network, Bust Magazine, and this year, she saw her artwork grace the cover of The New Yorker — only three months after graduating from college.
We talk about the mixed emotions of being one of only two black women to have ever had their work on The New Yorker cover, the vital importance of self-care and how she translates that into her work — and the history of her beautiful name, which has given her the distinction of being an artist whose name is also a poetic sentence.
I really think artists like Loveis are the future of...
I can’t tell you how excited I am to be back talking to some of our favorite artists and designers for the brand new (weekly!) Good Company podcast. It makes me so happy to pick apart all of those messy, fascinating places where creativity and business combine. Every week we talk openly and honestly about what it’s really like to run a creative business, and this week I’m talking about the importance of self-care, representation and overcoming impostor syndrome with Loveis Wise. Loveis Wise is an illustrator and designer based in Philadelphia who has worked with clients like The NY Times, BuzzFeed, Cartoon Network, Bust Magazine, and this year, she saw her artwork grace the cover of The New Yorker — only three months after graduating from college.
We talk about the mixed emotions of being one of only two black women to have ever had their work on The New Yorker cover, the vital importance of self-care and how she translates that into her work — and the history of her beautiful name, which has given her the distinction of being an artist whose name is also a poetic sentence.
I really think artists like Loveis are the future of...
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