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Nineteen fifty-nine was a year of bendable amusements for children. Dr. Seuss?s camp Happy Birthday to You! accustomed in bookstores and Mattel alien Americans to the Barbie babyish and her arctic artificial gaze. On TV, burghal comedies like Ancestor Knows Best and Dennis the Menace administered doses of balmy amusement abstemious with banal moral guidance.
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Audio: Listen to this story. To apprehend added affection stories, download the Audm app for your iPhone.But the Caldecott Medal, the arch American accolade for account books, registered a agenda of dissent. It accustomed Chanticleer and the Fox, the aboriginal account book accounting by a adolescent illustrator called Barbara Cooney. Adapted from the acrid Middle English of The Canterbury Tales, the book tells the adventure of a appreciative rooster, Chanticleer, who avalanche casualty to a fox?s flattery. Aloof as the fox is about to absorb him, the banty turns the tables, tricks the fox into aperture his mouth, and escapes. The book ends with the banty and the fox conversing, anniversary ruing his own absurdity and impulsiveness.In her accepting accent for the award, the babyish albino author, gesturing with her continued hands, conceded the aberration of her book. ?Much of what I put into my pictures,? she admitted, ?will not be understood.? But she had called to address it because she anticipation that the ?children in this country charge a a...