There is something unsettling about this trailer ? something uncomfortable. On the surface it?s as optimistic as any other film about Bjarke Ingels, the architectural protege and principal of BIG, of which there have been many. He is incandescently youthful, remarkably young when tallied to the level of his repute and success, and perhaps the last of the world-building, world conquering 'media darlings' of the 20th and 21st Centuries. He is, many would argue, an unstoppable force.

Courtesy of BIG

There is something unsettling about this trailer ? something uncomfortable. On the surface it?s as optimistic as any other film about Bjarke Ingels, the architectural protege and principal of BIG, of which there have been many. He is incandescently youthful, remarkably young when tallied to the level of his repute and success, and perhaps the last of the world-building, world conquering 'media darlings' of the 20th and 21st Centuries. He is, many would argue, an unstoppable force.But all things that move forward (and especially those that do so quickly and aggressively) must eventually come to a stop. Fresh off a lighthearted, tongue-in-cheek April Fool's joke in which we (ArchDaily) poked fun at ourselves at Bjarke?s expense, we have seen a trailer for the latest in a string of films that, ostensibly, chronicles a different and viscerally unretouched version of a day in the life of the architect. The usual rhetoric (?we want to give to the world something the world ...