House V / Stéphane Nikolas
Located in the south of France near Montpellier, in the village of Saint Aunès, the house takes place on a land of vines, cultivated since the Romans, bathed by the sun of the Mediterranean Sea, a short 15- minutes drive away. The project includes another building, under construction, whose destination is that of an artist's workshop for the owners.
Courtesy of Stéphane Nikolas
Architects: Stéphane Nikolas
Location: 34130 Saint-Aunès, France
Area: 275.0 m2
Project Year: 2016
Courtesy of Stéphane Nikolas
From the architect. Located in the south of France near Montpellier, in the village of Saint Aunès, the house takes place on a land of vines, cultivated since the Romans, bathed by the sun of the Mediterranean Sea, a short 15- minutes drive away. The project includes another building, under construction, whose destination is that of an artist's workshop for the owners.
Ground Floor Plan
A simple parallelepiped, a cocoon of steel and glass set between two horizontal planes which delimit the view, oriented towards the vibrating light of the south, the volume, light, detached from the ground, seems to rest on the green of the original vine. The two white lines of the gangway, slender and taut, draw a minimal intervention, on a vegetable background formed of cypresses, fig trees, laurels and other olive trees. The drawing is meant to be purified, a striking contrast between the hand of man and...
Courtesy of Stéphane Nikolas
Architects: Stéphane Nikolas
Location: 34130 Saint-Aunès, France
Area: 275.0 m2
Project Year: 2016
Courtesy of Stéphane Nikolas
From the architect. Located in the south of France near Montpellier, in the village of Saint Aunès, the house takes place on a land of vines, cultivated since the Romans, bathed by the sun of the Mediterranean Sea, a short 15- minutes drive away. The project includes another building, under construction, whose destination is that of an artist's workshop for the owners.
Ground Floor Plan
A simple parallelepiped, a cocoon of steel and glass set between two horizontal planes which delimit the view, oriented towards the vibrating light of the south, the volume, light, detached from the ground, seems to rest on the green of the original vine. The two white lines of the gangway, slender and taut, draw a minimal intervention, on a vegetable background formed of cypresses, fig trees, laurels and other olive trees. The drawing is meant to be purified, a striking contrast between the hand of man and...
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