Experimenting with Concrete Models: More Mass Doesn't Mean Less Light
The contact between hands and models should never be lost. Going into this experience provokes silence, forcing us to think about the care that goes into concrete models. Few words are needed, as models often tell us everything we need to know through the beauty and simplicity that goes into their creation and the importance of the manual process in an architect's work.Â
Dramatic Art Center_1. Image Courtesy of LLATAS
The contact between hands and models should never be lost. Going into this experience provokes silence, forcing us to think about the care that goes into concrete models. Few words are needed, as models often tell us everything we need to know through the beauty and simplicity that goes into their creation and the importance of the manual process in an architect's work.Â
National Museum_2. Image Courtesy of LLATAS
Text by Enrique Llatas:For my father, who's taught me to work with my hands since I was a child.
Monumental Venice_2. Image Courtesy of LLATAS
NativeMy father was a military man and, because of this, I had the opportunity to live in different cities throughout Peru. My curiosity was always sparked by the potters going about their work in the streets of Ayacucho, Arequipa, Andahuaylas, and Puno, making their sculptures of mud, stone, plaster, and cement--true art forms that could be found throughout the city streets.Â
Yabar??s House_1. Image Courtesy of LLATAS
Yabar??s Hou...
Dramatic Art Center_1. Image Courtesy of LLATAS
The contact between hands and models should never be lost. Going into this experience provokes silence, forcing us to think about the care that goes into concrete models. Few words are needed, as models often tell us everything we need to know through the beauty and simplicity that goes into their creation and the importance of the manual process in an architect's work.Â
National Museum_2. Image Courtesy of LLATAS
Text by Enrique Llatas:For my father, who's taught me to work with my hands since I was a child.
Monumental Venice_2. Image Courtesy of LLATAS
NativeMy father was a military man and, because of this, I had the opportunity to live in different cities throughout Peru. My curiosity was always sparked by the potters going about their work in the streets of Ayacucho, Arequipa, Andahuaylas, and Puno, making their sculptures of mud, stone, plaster, and cement--true art forms that could be found throughout the city streets.Â
Yabar??s House_1. Image Courtesy of LLATAS
Yabar??s Hou...
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Wilgah Residence: Bold Contemporary Addition to Heritage Home
03-05-2024 05:12 - (
architecture )