Brackenbury House / Neil Dusheiko Architects
IntroductionThe project is a remodelling and extension to a house in a conservation area for a young family. The Brackenbury House forms part of a terrace of five Lillian Villas built in 1879. The ?L? shaped double-fronted villas are brick and stucco faced, two-storey high, with front gardens forming a landscaped frontage, set back from the street.Â
© Tim Crocker
Architects: Neil Dusheiko Architects
Location: London, United Kingdom
Area: 180.0 m2
Project Year: 2015
Photographs: Tim Crocker , Agnese Sanvito
© Tim Crocker
Introduction
The project is a remodelling and extension to a house in a conservation area for a young family. The Brackenbury House forms part of a terrace of five Lillian Villas built in 1879. The ?L? shaped double-fronted villas are brick and stucco faced, two-storey high, with front gardens forming a landscaped frontage, set back from the street.Â
© Tim Crocker
Client?s Brief
Dutch born, Niels Swinkels works for Universal Pictures and is passionate about the aesthetic of sci-fi films. Erica Swinkels [Swedish / British], asked for a palette of natural earthy materials and was keen for us to retain as much of the existing fabric of the building and re-cycle it as we reconfigured the house to make it work better for them...
© Tim Crocker
Architects: Neil Dusheiko Architects
Location: London, United Kingdom
Area: 180.0 m2
Project Year: 2015
Photographs: Tim Crocker , Agnese Sanvito
© Tim Crocker
Introduction
The project is a remodelling and extension to a house in a conservation area for a young family. The Brackenbury House forms part of a terrace of five Lillian Villas built in 1879. The ?L? shaped double-fronted villas are brick and stucco faced, two-storey high, with front gardens forming a landscaped frontage, set back from the street.Â
© Tim Crocker
Client?s Brief
Dutch born, Niels Swinkels works for Universal Pictures and is passionate about the aesthetic of sci-fi films. Erica Swinkels [Swedish / British], asked for a palette of natural earthy materials and was keen for us to retain as much of the existing fabric of the building and re-cycle it as we reconfigured the house to make it work better for them...
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